Sydney Yeager

At the Bottom of the Sky #1

Sydney Yeager

At the Bottom of the Sky #1

Oil on Linen

48 x 48 in (121.92 x 121.92 cm)

Duet, 2019

Sydney Yeager

Duet, 2019

oil on linen

48 x 36 in (121.92 x 91.44 cm)

Midwinter Suite #1, 2019

Sydney Yeager

Midwinter Suite #1, 2019

Oil on Linen

38 x 38 in (96.52 x 96.52 cm)

Midwinter Suite #2, 2019

Sydney Yeager

Midwinter Suite #2, 2019

Oil on Linen

38 x 38 in (96.52 x 96.52 cm)

Midwinter Suite #3, 2019

Sydney Yeager

Midwinter Suite #3, 2019

Oil on Linen

38 x 38 in (96.52 x 96.52 cm)

Bloom, 2019

Sydney Yeager

Bloom, 2019

Oil on linen

60 x 60 in (152.40 x 152.40 cm)

Critical Systems, 2019

Sydney Yeager

Critical Systems, 2019

Oil on Linen

38 x 96 in (96.52 x 243.84 cm)

Early Light, 2019

Sydney Yeager

Early Light, 2019

Oil on linen

48 x 60 in (121.92 x 152.40 cm)

Early Mist #2 (Morning Mist)

Sydney Yeager

Early Mist #2 (Morning Mist)

Oil on Canvas

48 x 48 in (121.92 x 121.92 cm)

Echo (Narcissus), 2019

Sydney Yeager

Echo (Narcissus), 2019

Oil on linen

48 x 60 in (121.92 x 152.40 cm)

Hyacinth (Purple Haze), 2019

Sydney Yeager

Hyacinth (Purple Haze), 2019

Oil on linen

72 x 48 in (182.88 x 121.92 cm)

Iris, 2019

Sydney Yeager

Iris, 2019

Oil on linen

48 x 60 in (121.92 x 152.40 cm)

October Dusk, 2019

Sydney Yeager

October Dusk, 2019

84 x 40 in (213.36 x 101.60 cm)

One October Afternoon, 2019

Sydney Yeager

One October Afternoon, 2019

Oil on linen

48 x 48 in (121.92 x 121.92 cm)

River, 2019

Sydney Yeager

River, 2019

Oil on linen

60 x 48 in (152.40 x 121.92 cm)

Slow Burn

Sydney Yeager

Slow Burn

Oil On Linen

60 x 48 x 2.50 in (152.40 x 121.92 x 6.35 cm)

Untitled, 2019

Sydney Yeager

Untitled, 2019

Oil on linen

48 x 60 in (121.92 x 152.40 cm)

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Sydney Yeager
"Working this way is consistent with my interest in motion and transitory forms, as each brush mark holds the possibility of altering the painting entirely." -Sydney Yeager Sydney Yeager’s conceptual concern on fragmentation has inspired her work. The idea of an independent part colliding into a whole and then collapsing back into a singular unit has interested Yeager for years. For Yeager this idea plays of a sense of continuity that is constantly threatened with disintegration. Driven by sensuous color and form, the fragmentation in her work implies a whole, but a mysterious whole that can only be imagined. There is an implied presence, but an absence as well within a continuous motion. Her perpetual enquiry of whether fragments are nostalgic reminders of the past or the beginnings of a new form has interested Yeager as she continues to document her exploration of fragments.
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Artist